You need to go be gay for that poor dead intern

You gotta sin him into the light

brianmichaelbendis:

Bill Sienkiewicz 1986: Marvel Graphic Novel #24 (Daredevil: Love and War)

From the same interview with manwithoutfear.com:

When I began drawing the first issue, I was working twice up, not one and a half times up, size-wise. I wanted to treat the Kingpin as this huge monolith, immoveable object - and regular comic size pages seemed too small. Frank, Ralph Macchio and myself were trying to keep the whole job under wraps, because we were all pretty aware that it was pretty radical although Frank and I agreed that the approach simply felt right. My treatment of the Kingpin became a rather well known secret around the office - everyone who heard about them wanted to see the pages - it seems like everyone knew about them but [former editor-in-chief] Jim Shooter. When Jim did find out about the job, he was adamant. No way was this going to see print in the regular comic. It was too radical and it veered too far afield of the established continuity. Jim called me in his office and said that he wanted to give us a chance to do the job - his solution was to turn it into a graphic novel. I was a bit disappointed in this option. I wanted to do it as a regular issue - or two - to me THAT was the arena for change. Graphic novels were outside the world of the actual comics and Frank and I wanted to see how far we could push things in REGULAR comics.

I hope we showed that an immoveable object could be reduced to rubble emotionally, internally by that from which his size affords no protection. Pretty classic resonance in terms of his jealousy and rage - all things readers can identify with in terms of universal emotional buttons. It’s what’s lacking in a lot of books and Hollywood fare. Character-driven action-people that you may not like, but who impact you. Not simply the latest “asteroid” movie with cardboard cutouts as characters. When I think of “cartoon characters,” oddly, I think of characters you can identify with (I still care about the Coyote in the Road Runner cartoons, I couldn’t care less about Bruce Willis in Armageddon).

(Source: comicartistevolution, via agnosticheadstrongman)

newspaperblackout:

Blackout poetry by Austin Kleon, author of Steal Like An Artist

See more blackouts on Instagram→

(Source: clintbartn, via ourandaily)

triniwindowseat:

Don’t get distracted. Life is music and dancing in the kitchen and sweet watermelon in a yellow bowl and a dragonfly on your thigh and a faint sense that you’ve lived once or twice before and that breathing feels like a thing you’ve done for centuries.

Don’t forget these things. Everything else is details.

(via suffocatingpenis)

Lydia Martin

(Source: wreckstiles, via better-thana-fairytale)

tico-keta:

Background paintings and concept sketches from The Art of Howl’s Moving Castle

1/2

(via behind-angel-eyes)

Aloha Oe, Aloha Oe
E ke onaona noho i ka lipo
One fond embrace, a ho’i a’e au
Until we meet again.

(Source: riseoftheguardian, via macadamaia)

"Now that someone who might be your rival has appeared, it looks like going back to Hong Kong has been put on hold for a while." 

(Source: thebaenefactor, via sakuracardcaptorkinomoto)

the grand budapest hotel + chapters

(Source: blanchettcates, via agnosticheadstrongman)

waaaaaaaaaaaalt:

Don’t get me started on how important this movie is. I won’t stop.

(Source: alexanderhamiltonisthebottom, via frauliens)

(Source: ryuukoh, via donpaolo)

marthur:

ravenmaw:

I forget that old cameras don’t always have to take formal pictures

oh wow this is amazing/hilarious. i especially love the two arseholes standing on a weird tree stump and MANPLANE

if you thought it couldn’t get funnier btw the man in the white suit is Tsar Nicholas II

(Source: nearmercury, via the-catss-pajamas)